The aim of this study is to realize the origination of the wall paintings of temples in Taiwan and Fu Cherng, and analyze their cultural and spatial meanings through literature review, case study fieldwork, in-depth interview of painters and spatial esthetic analysis. Another purpose of this study is to construct the database on the wall paintings of temples in Fu Cherng, and to explore the operating procedures, transformation of techniques on the wall paintings, and painters’ characteristics of original work in Fu Cherng.
